Biyernes, Hulyo 23, 2010

hapag ng pag-asa (table of hope)



The models were real life pinoy street children, except for one. The child at the bottom was taken after a famous photograph by Kevin Carter, but it was a vulture waiting instead of a cat. This was just one of the stories behind it.

The painter, Joey Velasco, didn't have any formal education in the arts. He started out as a seminarian, but it didn't work out. Then he studied law but dropped out later. He then took on his family's upholstery business and there, it seemed, he found his calling. He became a successful entrepreneur, made tons of money, bought a lot of things, played golf everyday. Life was good for him, until he was diagnosed with a serious illness in 2005.

Doctors found a tumor in his kidney. He had to undergo an operation where his left kidney was removed. He sank into a deep depression and refused to come out of their guest room. In an interview with Probe Profiles, he said that he felt his life at a standstill and the world is moving on without him. He did not know what to do with himself.

As the saying goes, the darkest hour is just before dawn. Alone (and bored) in the room, he began sketching. He documented his emotions and ideas on paper. It sparked a new kind of interest. He started to paint. He researched and tried to learn more about the arts, and it was at this time that he conceptualized "Hapag ng Pag-asa".

His basic goal was to teach his children the value of food. He set out and gave pansit (noodles) to street children and photographed them eating it. They thought he was a politician because he was giving out food.  Once he had his twelve, he began the work. It took him about a month and a half to finish.

The painting was a hit. People were surprised that it was done by someone who was just starting to learn the discipline. A lot of them were moved and wanted to donate. Joey approached Gawad Kalinga to ask for help on building houses for his models. He provided them with shelter and even gave money for school supplies. He visited them often, and through them he found his meaning.

"There's something beyond this flat canvas.", he said.

When the houses were built, he did another painting of them called "Hapag ng Pag-ibig" (Table of Love).


A rich philanthropist once approached him to buy the painting. Joey agreed and they planned on putting it in a museum. He told this to his family and they gave their consent. But later in the day, Joey received a letter from his eldest son, asking him if he could buy the painting instead, and his payment? The promise that he will grow up to be a good man. It was a done deal.

Joey passed away last July 20.  He was once asked if he ever thought of death and he said, "everyday, every stroke, every time I paint, I always think of death".  His thoughts of dying led him to live, and because of it he saved other lives and inspired many of us.  Hapag ng Pag-asa was his most well-known piece, an incredible painting done by a man, but beyond the flat canvas is a more complex masterpiece that only God can create.

Sources:
http://www.joeyvelasco.net/
http://www.probetv.com/

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